The growing presence of new, world-class
theme parks and attractions in Asia is a boon for the industry, as it helps to
raise the standards of properties and create a greater interest among consumers
in theme park-based holidays, opined industry leaders at the Asian Attractions
Expo 2013.
Speaking at the expo at Marina Bay Sands
Singapore, Paul Nolan, president and CEO of the International Association of
Amusement Parks and Attractions (IAAPA), said: “The presence of world-class
attractions helps to expand the market, as they educate the market on what
truly world-class attractions are.”
While acknowledging that competition between
attractions exists, Nolan observed that the benefits were more prominent.
“When Disneyland first opened in southern
California, just down the road from Knott’s Berry Farm (one of the earliest
amusement parks), people said ‘Oh, Knott’s Berry Farm is going to close’. But
attendance at Knott’s Berry Farm went up because more people now knew what a
theme park is…and were coming to southern California just for a theme
park-based vacation.”
“Similarly, when Hong Kong Disneyland opened,
people said Ocean Park might as well close. But Ocean Park is doing better than
ever before because it learned a few things, it changed, it expanded.”
Nolan pointed out that theme park attendance
in Asia had thus also “grown tremendously” in recent years.
According to US-based AECOM’s latest report
on global amusement park and attraction attendance for 2012, Asian properties
saw a 5.8 per increase in visitorship to 108.7 million. In comparison US
attractions recorded a 3.6 per cent rise to 131.5 million visitors, while
Europe registered a 0.3 per cent slide to 58 million attendees.
Will Morey, chairman of IAAPA, and president
and CEO of Morey’s Piers in Wildwood, New Jersey, US, described the growth of
Asia’s attractions industry as amazing, pointing to the number of major
projects on the horizon such as Shanghai Disney Resort and Chimelong Ocean
Kingdom in Zhuhai, China.
He said: “The enemy is not in the number of
attractions. The enemy is in attractions (themselves) when they do not
(differentiate). Designers and owners must focus on the authenticity of their
attractions.” Morey added that attractions must “innovate
and be creative” when faced with challenges.
Edward
S Marks, executive producer and co-CEO of US-based The Producers group, an
international attraction development and production company involved in several
successful attractions such as Crane Dance at Resorts World Sentosa and
Universal Studios Japan, said attractions should aim to “come up with something
new every year” to stay competitive and fresh for repeat visitors.
-TTG Asia.
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